David Yarrow
Summit (Color)
Archival Pigment Print
Large (framed): 71x103
Standard (framed): 52x73
Ed of 12
Standard (framed): 52x73
Ed of 12
The modern and enlightened narrative on post-Civil War meetings between cowboys and native Americans homes in on communication as opposed to conflict. Of course, the truth was somewhere between the...
The modern and enlightened narrative on post-Civil War meetings between
cowboys and native Americans homes in on communication as opposed to
conflict. Of course, the truth was somewhere between the two and the
Comanche in particular were not renowned for holding summits with those
traveling west.
The work of Charlie Russell, the celebrated
American painter of the wild west, has certainly influenced me as he
understood how the grandeur of the American West added an extra
character for free into his frontier storytelling. He also was
sympathetic to the depiction of Native Americans and his work more often
embodied a sense of peace not aggression. Given the amount of time he
spent living with The Blackfeet Nation in Montana in the late 1880s,
this is instructive.
There could be no more jaw dropping backdrop
for this meeting than Monument Valley; it is the beating heart of the
South West. But to take this photograph was a big logistical exercise
and we wonder whether we may have broken new ground here. The route up
the escarpment to the south is just too steep for most horsemen. I can’t
find anything quite like it and that is always a good moment.
It
was a cold morning at that altitude, even in October and the light snow
cover adds an additional layer to the story. It is very much my kind of
photograph.
cowboys and native Americans homes in on communication as opposed to
conflict. Of course, the truth was somewhere between the two and the
Comanche in particular were not renowned for holding summits with those
traveling west.
The work of Charlie Russell, the celebrated
American painter of the wild west, has certainly influenced me as he
understood how the grandeur of the American West added an extra
character for free into his frontier storytelling. He also was
sympathetic to the depiction of Native Americans and his work more often
embodied a sense of peace not aggression. Given the amount of time he
spent living with The Blackfeet Nation in Montana in the late 1880s,
this is instructive.
There could be no more jaw dropping backdrop
for this meeting than Monument Valley; it is the beating heart of the
South West. But to take this photograph was a big logistical exercise
and we wonder whether we may have broken new ground here. The route up
the escarpment to the south is just too steep for most horsemen. I can’t
find anything quite like it and that is always a good moment.
It
was a cold morning at that altitude, even in October and the light snow
cover adds an additional layer to the story. It is very much my kind of
photograph.