David Yarrow
Ferrari 2
Archival Pigment Print
Large (framed): 71x74
Standard (framed): 52x54
Ed of 12
Standard (framed): 52x54
Ed of 12
In the 1950s, the Californian Dream made Route 66 the most famous road in the world. “The Mother Road”, as John Steinbeck described it in The Grapes of Wrath, became...
In the 1950s, the Californian Dream made Route 66 the most famous road
in the world. “The Mother Road”, as John Steinbeck described it in The
Grapes of Wrath, became the route of flight for the American Middle
Class; a trend accelerated by the rapidly evolving Californian economy
and the opening of Disneyland in 1955. The stretch of road heading east
near Amboy in the baking Californian desert showcases the Route 66
journey as it once was. The sense of scale offers the filmmaker a
valuable tool kit and I have been drawn to this outpost for many years.
It is a commitment of time to get there, but one that many road trippers
make because of the iconic Roy’s Motel and Cafe which serves as the one
identifiable landmark in a barren desert. Amboy is a known known and I
worried how I could break new ground because like all spectacular vistas
in the US, it has been well photographed. The challenge is not in
getting there, but in transcending when one does.
I called upon a
Hong Kong friend who is a passionate investor in vintage cars and owns
one of the most lauded and valuable collections in the world. I
explained the shoot concept and he graciously offered up one his most
coveted treasures - the 1953 Ferrari 250 MM Vignale Spider. It was one
of only 12 built in the world and when one comes up
at auction, they
sell for more than a London townhouse. His team was kind enough to
transport this fabled Ferrari 1,000 miles across the country, but at
least when they arrived, they understood the opportunity. It was going
to be a trip well made.
The design of the Ferrari was perfect as its
low windscreen allowed my lens direct access into the faces of the girl
(the wonderful Daniela Braga) and the wolf. They could then hold centre
stage and let all the other constituent parts play off each other. The
goal of this shoot was to play on the metaphor that is Route 66. It
encapsulates the American Dream, as it was the road of freedom and
ambition. Go West, work hard, stay
ocused and enjoy the very best of lives.
We
styled to the mid 1950s and I told Daniela to exude a sense of
positivity. She should look, as Nat King Cole suggested, that she was
“Getting her Kicks on Route 66”.
Hard not to in that Ferrari.
in the world. “The Mother Road”, as John Steinbeck described it in The
Grapes of Wrath, became the route of flight for the American Middle
Class; a trend accelerated by the rapidly evolving Californian economy
and the opening of Disneyland in 1955. The stretch of road heading east
near Amboy in the baking Californian desert showcases the Route 66
journey as it once was. The sense of scale offers the filmmaker a
valuable tool kit and I have been drawn to this outpost for many years.
It is a commitment of time to get there, but one that many road trippers
make because of the iconic Roy’s Motel and Cafe which serves as the one
identifiable landmark in a barren desert. Amboy is a known known and I
worried how I could break new ground because like all spectacular vistas
in the US, it has been well photographed. The challenge is not in
getting there, but in transcending when one does.
I called upon a
Hong Kong friend who is a passionate investor in vintage cars and owns
one of the most lauded and valuable collections in the world. I
explained the shoot concept and he graciously offered up one his most
coveted treasures - the 1953 Ferrari 250 MM Vignale Spider. It was one
of only 12 built in the world and when one comes up
at auction, they
sell for more than a London townhouse. His team was kind enough to
transport this fabled Ferrari 1,000 miles across the country, but at
least when they arrived, they understood the opportunity. It was going
to be a trip well made.
The design of the Ferrari was perfect as its
low windscreen allowed my lens direct access into the faces of the girl
(the wonderful Daniela Braga) and the wolf. They could then hold centre
stage and let all the other constituent parts play off each other. The
goal of this shoot was to play on the metaphor that is Route 66. It
encapsulates the American Dream, as it was the road of freedom and
ambition. Go West, work hard, stay
ocused and enjoy the very best of lives.
We
styled to the mid 1950s and I told Daniela to exude a sense of
positivity. She should look, as Nat King Cole suggested, that she was
“Getting her Kicks on Route 66”.
Hard not to in that Ferrari.