David Yarrow
Dune (Color)
Archival Pigment Print
Large (framed): 57x118
Standard (framed): 47x92
Ed of 12
Standard (framed): 47x92
Ed of 12
As my quest to tell layered stories has evolved, I have a firmer understanding of how a weak layer can kill an image of mine. I look back at some...
As my quest to tell layered stories has evolved, I have a firmer
understanding of how a weak layer can kill an image of mine. I look back
at some work and wince. I have kept hunting in my creative process for
clues as to what I am striving for and I guess that the journey of
discovery never ends. It is the journey itself that is the purpose of
all the effort and drive. Namibia is the cheetah capital of the world.
Since 1990, smart conservation efforts have resulted in the population
in the country growing from 1500 to 2500 – that’s one third of the
planet’s total. We have long worked with the acclaimed cheetah
conservationists Rudi and Marlice van Vuuren who founded the Naankuse
Sanctuary nearly 20 years ago and they partnered with us on this project
in the Kanaan Desert.
This photograph in the dunes of the Namibian
desert, was taken in September 2024. I first photographed in this desert
over 14 years ago and I hope I have learned a great deal since then.
All the layers in this image: the textural sand, the central characters,
the desert mountains and the clouds coalesce as one. My camera metadata
tells me that it was taken long before most people are out of bed and
yet we are a long way from the nearest building. But no one in the crew
had a problem with that. There is a visual overload from these dunes at
sunrise to match any location on the planet. Shanina Shaik looks
sensational and elevates a photograph of a cheetah in the desert into
something a little more special. I felt that it was vital that we could
see both her eyes and that dictated my camera position in the dunes and
her body angle. The moment came and it was just a glimpse, but that is
all you need. She is smart as well as beautiful. I like the cinematic
proportions of this photograph - it helps to tell the story.
understanding of how a weak layer can kill an image of mine. I look back
at some work and wince. I have kept hunting in my creative process for
clues as to what I am striving for and I guess that the journey of
discovery never ends. It is the journey itself that is the purpose of
all the effort and drive. Namibia is the cheetah capital of the world.
Since 1990, smart conservation efforts have resulted in the population
in the country growing from 1500 to 2500 – that’s one third of the
planet’s total. We have long worked with the acclaimed cheetah
conservationists Rudi and Marlice van Vuuren who founded the Naankuse
Sanctuary nearly 20 years ago and they partnered with us on this project
in the Kanaan Desert.
This photograph in the dunes of the Namibian
desert, was taken in September 2024. I first photographed in this desert
over 14 years ago and I hope I have learned a great deal since then.
All the layers in this image: the textural sand, the central characters,
the desert mountains and the clouds coalesce as one. My camera metadata
tells me that it was taken long before most people are out of bed and
yet we are a long way from the nearest building. But no one in the crew
had a problem with that. There is a visual overload from these dunes at
sunrise to match any location on the planet. Shanina Shaik looks
sensational and elevates a photograph of a cheetah in the desert into
something a little more special. I felt that it was vital that we could
see both her eyes and that dictated my camera position in the dunes and
her body angle. The moment came and it was just a glimpse, but that is
all you need. She is smart as well as beautiful. I like the cinematic
proportions of this photograph - it helps to tell the story.